Mixed media, plastic, rubber, pexiglass, wood and glass.
The work mentions the tendency of society to use pop icons to embody social and political ideologies.
The risk is to confuse a leader with a character who pursues nothing else than the realization of a personal project of social revolution.
As an example, history records great dictatorships while movies still pursue today equally deviant icons.
Together with “The Parasite” and “Comfort Zone” this work composes the anthropological cycle of the artist.
property of the artist